Follow @XavierDRdM Xavier Robles de Medina
thetuesdayafter:

Martin Boyce at Tanya Bonakdar
Tim hawkinson
fyeahwomenartists:

Nancy RubinsCollage, 2008Giclée print on archival paper mounted on aluminum 
(via Nancy Rubins - June 3 - July 9, 2010 - Images - Gagosian Gallery)
theincompletenesstheorem:

Tony Swain,Untitled, 2004Synthetic polymer paint and cut-and-pasted printed paper on printed paper 
aphidempire:


A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man’s outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no-contrasting (colourless) colours, brushwork brushed out to remove brushwork, a matte, flat, freedhand painted surface (glossless, textureless, non-linear, no hard edge, no soft edge) which does not reflect its surroundings—a pure, abstract, non-objective, timeless, spaceless, changeless relationless, disinterested painting—an object that is self-conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).

Ad Reinhardt, on his series “Abstract Paintings”
blog-me-now:

Ad Reinhardt, list of paintings, ca. 1966. Ad Reinhardt papers, 1927–68. Archives of American Art. Smithsonian Institution.
thejogging:

gotcha, 2013
bananas, one of which is stapled to a wall, the other, not so much
•••
dacob:

David Reed